What it means to be an artist at Hopkins
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Name: Greco Song
Year: Class of 2013
Hometown: Fullerton, CA
Area of Study: Chemical and Biomolecular Engineering
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Hi, everyone. I’m Greco, today’s guest blogger. I’m a sophomore majoring in Chemical and Biomolecular Engineering (ChemBE)and am currently involved in Student Admissions Advisory Board and an a cappella group called Vocal Chords. Here are some introductory stuff in bullet points:
- If you would like to know about classes I’ve taken, dorms I’ve lived in, etc, you can read more about me here. On that page, you can even ask me questions!
- I also have an admission-sponsored twitter account which you can follow (JHU_Greco).
- This is my second time guest blogging. You can read about my a cappella group in my first guest blog entry here.
- Also, check out my freshman blog here.
Today I’m going to talk about an art class I took this semester. Being a ChemBE major, only taking classes from the department can sometimes be too much math, matter-of-fact type of learning, etc. In other words, it’s freakin’ boring. I did that in the second semester of my freshman year and I felt like a robot. That’s why I try to take at least one random course that’s not as much science/engineering every semester. This semester, I took this art course called The Artist in the Museum: Making Books.
Now, many of you might wonder how making books is art. When you just look at books, they’re not that interesting looking. Every book is just bound pieces of same-size rectangular paper. But this is not the kind of book we studied in our class. Out class dealt with “artist’s books”. Artist’s books can be in any forms and contain anything that the artists want. I mean, really, they don’t even have to be “books.” An artist’s book can be just a bunch of colored blocks connected with a single string. As long as it’s bound by something it can be an artist’s book.
During the first third of the semester, our class went to many museums including Walter’s museum, Swaren Museum, and even our own Peabody library, MSE library, and Evergreen library to explore different kinds of books from different time periods. We first saw a lot of really really old books in Peabody and Evergreen. All of those old books had the “traditional” structure but had exquisite illustrations, all of which were hand-drawn and –colored. Since books represented wealth back then, a lot of them had really nice leather covers and beautiful end pages. Then in other museums we saw modern artist’s books. My mind was absolutely blown away with their creative and unique structures and contents. Some had amazing pop-ups, and also some very interesting textures. One even had an electric motor inside the book! Where else can you find such an exotic creation? The collection struck as surprise and this is when I started to really think making books as art.
We spent the rest of the semester trying to create our own artist’s books. Being the first book-making class ever offered in our school, we didn’t have a lot of resources, so we couldn’t really play with the book structure. However, we could do whatever we wanted inside the books. People had some great ideas. My classmate decided to make gorgeous textiles out of the illustrations we saw at Peabody, print them out on pieces of fabric and sew them into the pages of her book. She also included really awesome photos of models wearing her fabric. Another classmate created a cut out fairy tale book that turned out to be absolutely incredible.
My book combines my interest in photography and my respect for one of the most influential contemporary poets, Mark Strand (b. 1934). The photos in my book are inspired by the way his poems convey elegance and beauty. Mark Strand does not decorate his poems with unnecessary adjectives or adverbs. Rather, he creates scenes with concrete imageries in a simple, modern language that everyone can understand. The poems themselves are “moments of deep introspection.” In this book I have taken Strand’s approach a little bit further by breaking down his poems into single words and rearranging them into unique, thought provoking shapes. By removing the familiar sentence structure and, thus, constraints, I have the poems speaking for themselves. In my photos, I, too, wanted to create simple and elegant compositions—staying away from biased colors, manipulative camera angles, and shallow depths of field. I also experimented with cut-out frames. It started out as a mere curiosity at the semester’s beginning that grew into an obsession. I feel if I can capture the moments of inspiration inside these small, limiting frames, I can do the same in my seemingly monotonous life.
If the readers can find beauty in such minimally embellished black-and-white photos, they are then free to be inspired by almost anything—they just have to open their eyes, look around, and realize that there are so many enchanting things around them. Like what Strand said, “Each moment is a place you’ve never been.”
At the end of the semester, we had an opportunity to showcase our work at our school’s Evergreen Museum. It was really awesome seeing my work at a museum! Who can have such an awesome opportunity like that? Not many. And my book even had its own pillow :) I invited some friends over and there were also other people from local area.
Even before I took this class, I did a lot of photography stuff, but I always wondered if I was actually an artist. But when I went to the exhibition, I then felt like a true artist.
One of the things I love about taking art courses at Hopkins is that there are no art majors in classes. In fact, Hopkins doesn’t offer art major (except Peabody…). So the people taking these art courses at Hopkins are coming from a variety of academic backgrounds. I myself am majoring in Chemical Engineering, which has nothing to do with art, and my classmates also had no artistic backgrounds before taking the class. My professor also teaches at MICA, an art institution right next to Hopkins, and she told us that she gets way more interesting perspectives at Hopkins than some the classes she teaches at MICA. And seeing all the end products proved that one doesn’t have to study art all his life to become an artist.
























